Here at Lost Cactus, we are way ahead of the curve when it comes to lampooning the folly of investing in a company like Facebook.
In this Sunday style comic strip found in the Second Treasury, Ty the Dinosaur is out exploring in the hinterlands around the top-secret base, when he comes across Old Man Clampett. Clampett is a former Wall Street mover and shaker and board member on the Powers That Be*. Now he is an irascible desert hermit who guards his territory with a shoot-first, ask questions later mentality.
Get lost in the eponymous anthologies on sale at your favorite book store. Now that’s an investment you won’t regret!
I will write about the Powers That Be in future posts. It is really cool and will explain a lot of things, stay tuned.
Hard to believe we’re already halfway through 2018; time flies. I want all of you to have fun, be safe, and light off a bunch of something combustible in honor of our great nation. You know, rockets red glare, bombs bursting in air…
There is a recent surge of UFO stories in the news from rock-solid, reliable sources and serious-minded individuals stepping out of the shadows speaking about their strange encounters. Could there be a Lost Cactus connection? Read on.
You’ve seen it without knowing it. Remember that wild news in December about a secret Pentagon UFO program? And those grainy military videos showing radar images of unexplained phenomena — white, Tic-Tac-shaped objects that appear to fly at remarkable speeds, at impossible angles, without wings or exhaust? Former Blink-182 frontman Tom DeLonge helped ring the alarm about those things.
Last night I watched the last couple episodes of the first season of Lost in Space on Netflix. I won’t give away any spoilers or bore you with the details of the rather thin plot. However, I will say that like a lot of times when I sit down and watch a TV show or a movie, I see things that remind me of my Lost Cactus comic strip. One in particular that caught my eye from Lost in Space involves mining the droppings of nasty, prehistoric-looking bat-like creatures for use as rocket fuel to escape off the planet surface before it is uninhabitable. Oh, the drama that ensues.
Enough about that binge-worthy show, let’s talk more about Lost Cactus—which would make a great show on Netflix—but I digress. Here is a portion of the strips that came to mind. They are part of a larger comic strip story involving Doc experimenting with using dinosaur droppings as an energy source and a well-known venture capitalist catches wind of what he’s up to, so to speak, and wants in on the action. Isn’t that what venture capitalists do?
So the moral of this story is this: Don’t throw anything away, one day that sh*t might be valuable.
UNCOMMON KNOWLEDGE: The seldom-seen Colonel T-Bone character is a mash-up of Colonel Sanders, T. Boone Pickens and a little of Thurston Howell III’s elan thrown in for good measure.
Creating a brand new comic strip is not too dissimilar to being the dictator of a tiny middle European nation that no one has ever heard of before.
Like a lot of those little countries, my comic strip didn’t exist a few years ago, and who knows what’s in store for its future? However, I cast aside such dark and foreboding thoughts and rule my imaginary Lost Cactus comic strip in an autocratic, albeit benevolent fashion. What’s disheartening is breaking through the clutter and demonstrating to folks young, old, and every age in between, that acquainting themselves with my Lost Cactus comic strip is worth a small percentage of their precious time.
And why is Lost Cactus worthy of a small notch in a prospective new fan’s daily timeline of important stuff? Well, for one thing, it’s funny. And who doesn’t like to laugh? I know I do. It’s why I became a comic strip fan at an early age. Humor has always been of paramount importance in my life and sometimes to my detriment, I discover it in the oddest of places. To abbreviate what would otherwise be a long story, through a creative process that involved mining for humor in uniquely different settings and situations—a process that I originally began in earnest in 2013—I now rule my small country, Lost Cactus. To my knowledge, this highly-classified quasi-government base hidden in the far reaches of Southwestern desert is about as far afield of where one would typically expect to find comic strip humor as one can get. Did I mention Lost Cactus has everything from aliens to dinosaurs to a genetically altered bee named Bentley? Well, I guess I just did.
Recently I had a table promoting Lost Cactus at a small press and comics show in the mile-high (in more ways than one) city of Denver, Colorado. I met some fantastic people, young and old, all there because they love comics and fan art in general. However, I believe I was the only artist exhibiting anything even remotely close to Lost Cactus. And not to brag, but if I don’t, then who will? Many who stopped by my table curiously, almost daintily, picked up the sample copies of my Lost Cactus Treasuries 1 & 2. After briefly flipping through the pages, they would have a hearty chuckle, and then inevitably turn to their partner to show them what they just read, spawning a quick smile, and more times than not, a reach for the wallet to quickly purchase one or both books. I sold a lot of books!
As the show progressed over the long weekend, I also received a lot of genuine compliments that money can’t buy. The one I heard a lot that I take to heart and cherish the most is when people made a comparison in style between Lost Cactus and my all-time favorite comic strip, Calvin & Hobbes. As show attendees and other exhibitors came up and inquired what Lost Cactus is all about I developed an elevator pitch that seemed to resonate: Lost Cactus is like Calvin & Hobbes in style and a humorous take on X-Files in substance. I winced at the name-dropping every time I said it, but it worked as people could quickly relate to what Lost Cactus is all about:
A classicly drawn 3-panel strip that spoofs paranormal, urban myths and under-the-radar government agencies to great comic effect, published in beautifully designed full-color anthologies featuring a shared universe of short stories and humorous essays that expand the Lost Cactus mythology beyond the finely inked comic strip panels.
So if you’re looking for the humorous comic strip ramblings of a put-upon hipster and his precocious talking dog/cat, you’re in the wrong country. You are in Lost Cactus. There are no roads that lead to Lost Cactus. You will not find it on Google or any other map. Its inhabitants are all sworn to secrecy. And presidents, since its inception 1947, have all been kept out of the loop. You know the reason: plausible deniability.
The process of creating a comic strip universe involves a LOT of drawing and I have a stack of sketchbooks jam-packed with sketches bolstering that rather obvious statement.
These sketches range from barely legible scribbles of story ideas that breached my fervent imagination in the middle of the night and then sketched in a bleary-eyed early morning hurry before I forgot them, like a dream, to nicely rendered little works of Lost Cactus artwork. Most of the time you’ll find my latest sketchbook positioned beside my keyboard so I can draw in between time-consuming computer tasks or while taking breaks from the day job. These sketches are much more methodically rendered with my favorite Faber-Castell PITT artist waterproof ink pens in high-quality Moleskin-style sketchbooks. Sometimes my sketchbook ramblings morph into strange stream-of-conscious compositions like this recent example that I finished with some watercolors.
I have drawn this way for as long as I can remember and it is a great way to let the imagination fly. This one features a couple of new characters I am working on for my next Lost Cactus project. That is all I will say for now regarding that little tease other than can you find ‘The King’ in this picture?
Lost Cactus – The Second Treasury is the sequel to the first anthology which was originally published in 2016. Lost Cactus goes beyond the eponymous three-panel and Sunday comics with a diverse mix of sci-fi short stories, witty essays, poetry and original artwork blended with a plethora of trivia, artist commentary, maps, and quizzes. This framework is vividly woven together into an eye-catching, thought-provoking and entertaining book that transports the reader beyond the typical comic strip compilations found in the humor sections of bookstores and online.
Sit back and enjoy Lost Cactus – The Second Treasury and soak up all of the uncommon knowledge this anthology has to offer. Furthermore, if you feel compelled to don a tinfoil hat after reading Lost Cactus, don’t be alarmed, you won’t be the first.
The character Mabel who makes her debut in 🐝 LOST CACTUS – THE SECOND TREASURY🌵is a member of the notoriously secretive Pennywell clan like her Aunt Penny who happens to be Lost Cactus’ chief medical officer.
Here is a rough study of Mabel in her bedroom with her perplexed captives, Bentley and Cato. The series of strips that introduce Mabel are some of my favorites in the book. She is a smart, resourceful and strong character and tough to escape from as Cato and Bentley are doomed to discover.
Hopefully not to sound too much like one of those Star Trek geeks, but the venerable Doctor McCoy would often spout off in a pique of fury when confronted with an unfamiliar task, saying something like:
“I’m a doctor, not an engineer, or bridge builder, or well, you get the idea.”
So in the words of the sadly deceased Doctor, I would like to say:
“I’m an artist, not a web developer!”
And it is in that spirit that I’m embarking on my new blog, The Lab, by jumping headfirst into the WordPress pool. It’s not exactly a sink or swim proposition. WordPress seems suspiciously friendly and easy to use. And yet as I come up for air after the initial plunge to the bottom and start floating around, bobbing up and down through an endless tide of windows, options, plug-ins and googles, inevitably things will float past that I don’t like and will want to fix or change. So my dear readers, that is my metaphorical attempt at telling all of you that The Lab is a work in progress.